Tony Verna (photographed through one of his Emmy Awards) was born in Philly, went to West Point and then Penn and WFIL when “Bandstand” was all the rage. But his legacy is that he was the first sports director who went to the videotape, changing TV forever — not to mention the games it broadcast

By Harry Allison

The 1963 Army-Navy game at Municipal Stadium in South Philly is remembered as one of the greatest in history.

Army had come back from a big deficit and was driving for what could have been the winning TD.

It was the fourth quarter on a grim early December day in Philadelphia.

“You’re going to do what?” announcer Lindsey Nelson asked between commercials.

What CBS director Tony Verna wanted to do was revolutionary — use a tape machine to replay a key touchdown by Army quarterback Rollie Stichweh.

“This is not live!” Nelson would tell a nationwide audience after the commercial break. “Ladies and gentlemen, Army did not score again.”

It was the moment instant replay was born in 1963, a television milestone that would forever change the way viewers watched sports.

Entertainment Weekly has listed instant replay’s debut among its 100 greatest television moments. In 2004, Sports Illustrated cited instant replay as one of sports’ “20 great tipping points” of the previous 50 years and wrote of instant replay’s impact, “The revolutionary premise was that sports could be improved not by changing the games but by changing the way they were packaged.”

Indeed, what seems automatic to viewers today was revolutionary at the time. Verna said later he had to wrangle with the news division to get the Ampex VTR-1000 from New York to Philly. Full of fragile vacuum tubes and the size of a small car, the tape machine survived the 90-mile trip to Municipal Stadium, but engineers then had problems with the videotape itself.

At $300 a roll, Verna was unable to get his hands on a new roll of 3M videotape, so he was forced to use a leftover tape with an old “I Love Lucy” episode still on it. In fact, during tests earlier in the game, the rollbacks were showing flashes of Lucille Ball. Up to the pivotal replay, Verna wasn’t sure if he would get linebackers or a fluttering shot of Lucy herself.

It was both “a technical breakthrough and a conceptual one,” Sports Illustrated would note later.

Within a year, instant replay would be well on its way to becoming a staple of televised sports, virtually making the living-room recliner better than the best seat in the stadium.

The economics of that, and the billion-dollar network contracts that would follow, changed the world of sports — from viewing experiences to stadiums to salary structures.

Verna, the son of Italian immigrants, was born in Philly on Nov. 26, 1933, the youngest of five in a family of photographers. He showed an early interest in large-format cameras, which led to a fascination with early television and engineering. At West Point, he quickly became disenchanted with military routine and received an early discharge after a training mission injury.

Verna then entered the University of Pennsylvania to study engineering and eventually landed a job with WFIL, the Philadelphia station that carried “American Bandstand.”

From there, he worked at other Philly stations in the hurly-burly days of live television. By 1955, he was directing national baseball telecasts for CBS Sports, and his long career as one of the preeminent behind-the-scenes talents in network television had begun.

His career at CBS included the famed 1967 NFL championship game between the Green Bay Packers and the Dallas Cowboys dubbed the “Ice Bowl,” the five Super Bowls and various NBA championships and Stanley Cup finals.

Verna also co-produced and co-directed “Live Aid,” Bob Geldof’s 16-hour fundraiser for Africa, seen by 1.5 billion people worldwide in 1985.

In 1995, he received the Directors Guild of America’s Lifetime Achievement Award.

But it was instant replay for which he would always be best remembered, a game-changing development he began working on before age 30.

“If you change the way something’s been done in life, and you change how it’s done forever, I think that’s the most important thing,” he said in 2008. “I changed the way things were normally done. That’s very hard to do in life.”

Yet Verna never made a dime from his innovation.


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